The Leper From Krypton!!
In a rare move for the era, Action Comics 363
through 366 (May-Aug. 1968) feature a storyline stretching
over a whopping four months, and Superman for one is just
sick about it. Thanks to writer Leo Dorfman
and artists Ross Andru and Mike Esposito,
he becomes “The Leper From Krypton.”
The trouble begins in Metropolis Prison when Lex
Luthor is allowed to work in a biochemical lab
designed for experiments on animal diseases. “What
harm can he do here?” asks the warden, to which Luthor
(and we) respond, “Will the fools never learn?”
Luthor exposes a test tube of deadly microbes to rays from
a Green Kryptonite rock (which he found while “working
on the prison rockpile”) and thus replicates that
deadly scourge of Krypton, Virus X.
Later, a ventriloquist puts on a show in the prison auditorium
and draws boos when he produces a dummy resembling Superman.
When the enraged prisoners begin hurling objects at the
performer, Luthor joins in by throwing his shoe, inside
of which he’s hidden his vial of Virus X. In this
way, Luthor and the ventriloquist — who we learn is
an Eeeeeevil ventriloquist, manage to smuggle the substance
to the outside.
In an out-of-left-field twist, we learn that the ventriloquist
(named Ventor…naturally) has previously hypnotized
Clark Kent and programmed him to destroy
Superman(!). Armed with the Virus X, Clark sneaks into his
own apartment when his clouded memory suggests it’s
a place the Man of Steel frequents. Pouring the virus sample
on a pillow, he accidentally gets some on his hand and in
the temporary, virus-induced hysteria that follows, he remembers
who he is.
Worse, he remembers what Virus X is; brought to Krypton
centuries before his birth by visitors from space, it induced
disfiguring leprosy, followed by mummification, in an alarmingly
short time, leading to icky scenes like this:
Is it just me, or is that a really gruesome scene? And what
kind of parent leaves a dangerous device like that sitting
around on the floor for their toddler to touch? All that
Kryptonian science and they still use space heaters?
With a cure impossible, victims were removed to a remote
location to die, away from healthy populations.
On the plus side, it’s just as well they finally found
a use for that location. For whatever reason, the developer
could never recruit many investors for a resort community
called “Pestilence Valley.”
When word reaches Luthor through the prison grapevine that
Superman has contracted Kryptonian Leprosy, he attaches
spark plugs to a mixing bowl to make a thought-projecting
hat that pre-empts all TV transmissions (for the record,
this never works for me).
Once word gets out, nobody wants Superman’s help any
more; they just want him to leave. Hiding out in an alley,
he’s accidentally touched by a cat and what happens
next confirms the virus does indeed affect Earth creatures.
Superman decides to leave Metropolis that night, but first
stops by the empty offices of the Daily Planet as Clark
Kent to clean up his desk and leave a goodbye note. Unfortunately,
Lois Lane is working late and walks in
on him, giving us the cliff-hanger that leads in to Part
Two.
To prevent Lois from seeing that Clark has leprosy, he changes
to Superman at super-speed, then says his goodbyes from
a safe distance.
The UN calls on the top doctors of all nations to find
a cure for Virus X, but they come up empty. Then Luthor
sends another transmission, claiming he can cure Superman
any time he wants. “Remember the cat he infected?”
he asks. “I’ve arranged for the Humane Society
to bring it to the corner of 10th and Main in one hour.
I’ll cure it before your eyes!”
Okay, now first of all, I’m not sure how Luthor can
arrange anything with the Humane Society from prison, or
why they’d go along with him. But the bigger issue
is why anyone would know what he’s talking about.
No, they don’t “remember the cat he infected.”
How could they? Superman was alone in the alley when it
happened.
Anyway, workers in containment suits deliver the cat to
the specified address, where a “weird force”
strikes it and restores its health and shiny coat of fur.
Luthor says he’ll do the same for Superman (except
the fur) if he’s given a million dollars and his freedom.
Superman is against the idea, but the authorities cave in
and send the money to Luthor’s men by rocket, only
to find he can’t really cure Superman; it was all
a scam pulled off with a “ringer” cat.
Okay, more problems, here. We already know the real cat
is dead, and so does Superman, so he shouldn’t have
been fooled for a moment. For that matter, even though we
don’t see it happen, the only responsible thing for
him to do would have been to dispose of that cat’s
body before he left the alley, preferably by throwing it
into the sun or something. If he just walked away with it
lying there dead, then whatever scavengers and/or sanitation
workers touched the corpse would contract Virus X and begin
its spread across all of Earth.
Though they couldn’t cure him, the UN doctors at
least managed to create a “plexiglass” coating
around Superman that keeps him from infecting others, so
he heads for the Fortress of Solitude and meets with Supergirl.
Kara’s idea is to project him into the Phantom Zone
to await a cure for Virus X, but the Zone prisoners combine
their mental powers to make it impossible for him to enter.
Having run out of options, Superman says goodbye to Earth,
and life itself.
And so we’re on to the third stage of our prolonged
illness.
As Superman’s coffin/ship speeds through space, word
of his imminent demise spreads to alien worlds, and as he
passes them he uses his super-vision to observe their reactions.
On most planets, there is grief and mourning, but when he
passes Lexor, the planet named in Luthor’s honor,
he fully expects to find its population jubilant. What he
sees is a surprise: Faced with proof that their hero Luthor
is a murderer, the Lexorians turn against him. With their
famous knack for overreacting, they burn all the science
books he’s given to their libraries and smash all
the inventions he’s developed to help them. Then we
get this scene which eerily prefigures real-world events
in Iraq and the former Soviet Union:
When I wrote earlier about the history of Lexor, I had no
idea this little scene ever took place, and indeed it can
be argued it never did, since in 1983 we’ll find Lexor
still favorable to Lex, and his statue in one piece right
where he left it. Still it makes for an interesting “alternate
ending” to the Lexor saga.
Nearing his own end, Superman’s life flashes before
his eyes, and ours too, as the rest of the issue recounts
the hero’s life story from Krypton to Smallville to
the first appearance of Kryptonite, the origin of Luthor,
Superboy’s induction into the Legion of Super-Heroes,
his romances with Lori Lemaris and Lois Lane, Brainiac‘s
capture of Kandor, Supergirl’s arrival on Earth, Superman’s
partnership with Batman and Robin and his adventures as
Nightwing in Kandor, etc. In other words, this issue is
a “clip show,” without which this whole saga
could have been wrapped up a month early.
Then comes an unexpected twist as a pair of Bizarros
pay tribute to the dying Superman in their own backward
fashion.
“Poor, idiotic Bizarros!’ thinks Superman. “Red
Kryptonite has only temporary effects on me, and I’m
dying anyway! As for White K, it only destroys plant life!”
And so Superman hurtles on, drawing close at last to the
hottest sun in the Universe, which Dorfman creatively names
Flammbron. And we hurtle…or is it limp?…on to
Part Four.
As Superman’s ship begins to disintegrate in the sun,
it’s rescued at the last moment by the Flammbronians,
“beings of living flame” who inhabit a crystalline
planet. Superman emerges from the ship to find himself miraculously
cured of his malady. After some thought, he realizes the
Bizarros inadvertently cured him when they exposed him to
that White Kryptonite.
The Flammbronians reveal they’ve helped Superman to
repay him for saving a member of their race in a past adventure.
Elated by this last-minute save, Superman returns to Earth,
but is miffed to find no signs of mourning. A monument in
his honor has been abandoned half-finished, flags are not
flying at half-staff, and (worst of all) stores are selling
Superman playsuits at marked-down prices.
Investigating further, he finds the reason people aren’t
missing him is because…well, he’s still around!
As he looks on in amazement, another Superman performs super
life-saving feats in Metropolis, in the ocean and around
the world. An old newspaper story claims Superman returned
to Earth soon after leaving, having been cured by the cleansing
effects of the alien sun’s heat.
Putting the clues together, Superman heads to the Justice
League‘s secret sanctum and confirms his
suspicions; the “second” Superman is actually
multiple Superman, all with familiar faces.
Okay, Aquaman and J’Onn J’Onzz
I get, but why are Flash and Batman
wearing the masks over their cowls? Anyway, we learn that
Supergirl has contacted Kandorian officials about selecting
a replacement for Superman (thus giving us our rather misleading
cover) and while they deliberate on that issue, the JLA
is pitching in by subbing for Superman.
And so all’s well that ends well.
Wow, four issues…four months to tell that story? I
suppose it’s not without its moments, but really the
whole thing could have been told in a single issue or, given
the shorter length of Action Comics tales, maybe two. To
drag this out over four months is just insane, and the whole
thing has the feel of a time-wasting exercise, as if DC
had fallen behind schedule and was looking for a way to
catch up. This is especially true of issue 365, the drawn-out
“clip show” that does almost nothing to move
us forward.
In truth, the same thing had been done before in a single
issue, and yes it was better. Back in October of 1962, Superman
#156 gave us the clasic “Last Days of Superman,”
in which our hero spends what he thinks are his last days
of life trying to complete all the unfinished business of
his great career. That one had scope, pathos and though
it may not have seemed like it at the time, brevity. It
also introduced us to the first version of “Virus
X,” which didn’t involve leprosy at all, just
debilitating fatique and fading life signs. (And from my
point of view, it was drawn a lot better. I was never a
fan of Andru and Esposito, which doesn’t help here).
There are several problems with this story, including the
bit with the cat and the needlessly complicated method of
infecting Superman by brainwashing Clark Kent. But the biggest
come at the beginning and end, and deal with the virus itself.
First, I just can’t see how exposing an Earthly virus
to Kryptonite would somehow magically re-engineer its DNA
into a Kryptonian virus. And second, while it’s anyone’s
guess how Luthor even knew about this piece of Kryptonian
history, it’s a given that Superman knows about it.
And what he doesn’t know, he’d be sure to try
and find out using microscopic vision, in a search for a
cure. Once he realized (if he didn’t already know)
that it was plant-based, he’d have tried the white
kryptonite immediately. Also, I’m no doctor, but you
always hear that viral infections are totally different
from bacterial infections, so how can this one be both?
Maybe the answer is that this leprosy is a bacterial infection
and not a virus at all. Luthor doesn’t know about
the real Virus X so he gives the name to this one because
it sounds catchy. Or maybe we should just ignore the whole
story, since it contradicts not only that better earlier
tale but also (in the Lexor scene) a story yet to come.
But that might be too much to ask; four months spent on
a story that’s not even canon? That would be enough
to make anyone sick.